“The Lace Mill has been motivating for me artistically and the creative community has helped me feel secure and supported, and turned around the worst times,” she remembers.

However, landing an apartment wasn’t straightforward. At first, she missed the first lottery round of new tenants. But she stayed within the area, stayed positive, and reflected on possibilities that might arise if an applicant dropped out or didn’t follow through with a lease. So she waited, and checked in with RUPCO from time to time. Luckily, during RUPCO’s second lottery wave for the newly finished East end—which was under final construction—she got the call. Ecstatic, she agreed to move in and start fresh in her career and home life. She now shares memories with fellow tenants who moved in the same time she did, and they bond over communal living quirks and resident building meet-ups.

Besides sharing the trickle-down effects of administrative check-ins and construction work during the renovation period, Bisio shares other fond thoughts of residents at Lace Mill. “I run into people who are truly fascinating, kind and supporting, and if we [my husband and I] were out by ourselves, we would feel isolated and lonely sometimes—here we can have a glass of wine outside with people we live with, and that’s really nice to have.”

Of course, there are periods when communal living is a bit overwhelming, and Bisio states she sometimes “just needs to retreat and find my own source of peace. I personally like peace and quiet, but I wouldn’t trade this living.” She finds serenity in her own company when she is not spending time collaborating on art shows or conversing with neighbors.

The outside world beckons her attention in between these solitary times for exploration and discovery. “Shapes, people outdoors, moments of reflection, and also things that happen to me personally,” provide sparks of insight into subjective reasoning.

In the larger social domain, things that may not make sense immediately are great catalysts for creative energy. The mystery is what may be alluring to contemplate, like an unsolved riddle that provides more questions than solutions. Bisio notes that maybe things—and people—can convey interesting truths to examine without making sense. “I always try to find a way to process things, especially things that I can’t figure out. Art and writing helps translate experiences or questions, and leads me to an answer—not the answer—but it helps me to make sense of the world and to create things of beauty.”

Allowing herself to branch out is also a large part of being inspired. She finds that while she is toning down on writing, she is able to explore other art forms that clue in on aspects of herself that weren’t revealed before. A recent piece entitled “Mobile Home,” made of a globe that is evocative of the Sun, explores her identity being a Korean adoptee. Another piece featured in the upcoming Dirty Laundry exhibit is a mixed-media work on a canvas box that opens up and allows viewers to see “inside her dreams,” which are written in text on a tree background. Many of her pieces are a result of abstract ideas that echo memories, and are difficult to convey in the real world.

“A lot of my pieces involve construction, and part of the challenge is knowing ‘how do I suspend it correctly, what materials do and don’t work, and how do I translate the pure idea into a work of art?’”

Though home is “like a base,” the foundation that promises security while figuring out the mechanics of her ideas, she hopes to travel in the near future, and have Lace Mill as a part-time home. But with Kingston’s arts district on the rise, she may have incentive to stay here and develop further. “It’s exciting to see where we are going. People are doing all sorts of events: kids events, different workshops, and Midtown Kingston’s growing arts district, so in 10 years from now, who knows what will be happening.”

For now, Bisio continues to shine her light in The Lace Mill gallery, displaying works that reflect her background and experience. Her pieces are testaments to what she has seen and felt, and the light she often utilizes in her works parallel the beauty and strength in her journey of self-knowledge.

Getting to a place of comfort and acceptance isn’t always easy. Bisio has been criticized for being an artist, a general stereotype and stigma still surround the “artistic” label. Those labels — lazy, disorganized, scattered — weigh on her confidence. Instead of focusing on the negative that would drain her livelihood, she states, “I think it’s best to be true to yourself—you have to do what inspires you and not be influenced by other’s opinions. People will think differently about what’s good and bad. So just do the work, no matter how slow the process, even if it’s just one step a day.”

Applying to and inquiring about The Lace Mill proved to be winning leaps in a lottery draw of applicants, and her current endeavors in participating at gallery exhibits are antecedents for growth in a supportive setting—who knows where these little steps will take her next.